Sinaloan singer Carolina Ross presents her new single No puedo odiarte, a collaboration with renowned Mexican artist Kalimba that combines the essence of modern mariachi with nuances of Spanish pop. The release is part of her recording project “Coleccionando corazones”, marking a new stage in her musical career in 2026.
The song addresses the emotional complexity of a love that ended, but fails to turn into resentment. With an intense interpretation and arrangements that highlight traditional instruments along with a contemporary production, the song seeks to connect with those who have lived the contradiction of wanting to forget without being able to hate.
What is “No puedo odiarte” about?
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I Can’t Hate You, by Carolina Ross, explores the internal conflict after a romantic breakup.
The lyrics raise the difficulty of transforming affection into resentment, even when the relationship has ended.
The sound stands out for its rhythmic energy and arrangements inspired by contemporary mariachi.
This genre has gained strength in recent years thanks to new proposals that blend tradition and modernity.
Kalimba brings his signature vocal style, known for his career in Latin pop and his solo career after his time in OV7.
The combination of voices creates a contrast that reinforces the emotional charge of the theme.
One more step in the career of Carolina Ross
With “No puedo odiarte”, Carolina Ross continues to expand her presence in regional Mexican music with international projection.
His album “Coleccionando corazones” represents an artistic evolution, maintaining the Mexican roots but with a modern production.
For Hispanic audiences in the United States – especially in states such as California, Texas, Arizona and Illinois – such collaborations reinforce the connection to contemporary Mexican music.
It now occupies a prominent place in streaming platforms and Latin charts.
The song addresses the emotional complexity of a love that has ended
QuéOnnda.com
The rise of regional mexican and latin pop music
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Regional Mexican music and Latin pop remain among the most listened to genres in the United States within the Latino community.
Artists such as Carolina Ross are part of a new generation that combines tradition with current sounds, broadening the genre’s reach to younger audiences.
In addition, collaborations between established performers such as Kalimba and new figures strengthen the international visibility of these projects.
For more information, visit QuéOnnda.com.
