Argentine singer Cazzu once again became a trend after publicly reacting – albeit indirectly – to the song Rositathe new single by Rauw Alejandro together with Jhayco and producer Tainy. The song generated immediate conversation due to a verse that many interpreted as a direct reference to the sentimental life of the artist.
The fragment in question reads: “Yo me voy y me me casarse contigo a lo Christian Nodal” (I’m leaving and marrying you like Christian Nodal). The line sparked social networks by alluding, according to users, to the mediatic separation between Cazzu and Christian Nodal. Christian Nodalas well as the singer’s subsequent marriage to Ángela Aguilar. For some, it is a lyrical wink typical of the urban style; for others, an unnecessary mention that reopens an already exposed personal episode.
Hours after the launch, followers noticed that Cazzu stopped following Rauw Alejandro, Jhayco and Tainy on Instagram. Although the artist did not offer immediate statements, the gesture was interpreted as a sign of discomfort at the reference.
Shortly thereafter, he posted on his official X account a brief but forceful message: “The art we make is our stance on life. You know mine. The phrase was read by many as an indirect response, reaffirming his artistic and personal stance without entering into explicit confrontations.
Rauw Alejandro’s position on the song and the reference to Cazzu
Faced with the growing controversy, Rauw Alejandro shared a message in networks that, although he did not mention names, seemed to respond to the context of the debate: “We have long been in an era where controversy and gossip make more noise than art and effort. Even so, the true and genuine always finds its way and transcends with time.”
His words divided opinions. While some fans defended the creative freedom and the urban genre’s tradition of incorporating cultural and personal references in its lyrics, others felt that the verse touched on a sensitive topic involving private experiences.
The discussion was not only on social networks. Cazzu published an extensive article in Substack where she expanded her position, not only on the song, but also on the dynamics within urban music and the role of men and women in the genre. In her text she questioned the hypocrisy and lack of sensitivity that, according to her, prevail in certain artistic circles.
She also responded to those who suggest that her reaction is solely due to her sentimental history with Nodal. With irony, she wrote that it is not a simple breakup or spite, but something deeper related to empathy and coherence.
For now, none of those involved have given formal interviews on the subject. However, cross-messages and fan interpretations have kept the conversation alive, demonstrating how a single line can transcend music and become a cultural phenomenon.
Here you can listen to ‘Rosita’, the controversial song.
Find out more at ‘QueOnnda.com’.
