Bad Bunny took his “Debí tirar más fotos“ tour to Buenos Aires last weekend and turned the concert into a real parade of stars. The Puerto Rican artist surprised the Argentinean audience by inviting to the stage figures such as Tini, María Becerra, La Joaqui y Bizarrapunleashing a wave of euphoria in the stadium.
However, the most talked-about appearance was that of Cazzu. The artist took the stage to perform with Bad Bunny the song “Loca”, marking a long-awaited reunion after several years without sharing a live microphone. The chemistry between the two and the energy of the audience made the moment one of the most talked about of the night.
Bad Bunny with Cazzu: A reunion that ignited the networks
After the duet, Cazzu remained on stage to perform solo “Con otra”, a song that many fans have linked to her sentimental history with Christian Nodal. Christian Nodalcurrent husband of Ángela Aguilar. The choice of the song did not go unnoticed and social networks quickly began to speculate about possible implicit messages.
The context became even more interesting because days before Ángela Aguilar had publicly shown her support for Bad Bunny after his participation in the halftime show of the Super Bowl LX. The Mexican singer shared on her Instagram stories a fragment of the show accompanied by red hearts emojis, a gesture that many interpreted as a show of admiration for the message of Latin pride that the performer projected on one of the most watched stages in the world.
Ángela Aguilar and her “unfollow” that unleashed theories
However, when the news went viral that Cazzu had been a special guest at the concert in Buenos Aires, users noticed a detail that fueled the digital conversation: Angela Aguilar stopped following Bad Bunny on social networks.
The gesture was quickly interpreted by some Internet users as a possible sign of annoyance or disapproval. Divided comments began to circulate, with users defending one or the other artist and fueling the debate around the personal and professional relationships surrounding show business figures.
Phrases like “Bad Bunny and Cazzu are original”, “Sure Bad Bunny is going to cry because you unfollowed him” or “Who is Angela?” flooded the platforms, showing how a simple movement in networks can become a topic of massive conversation.
Beyond speculation, the concert in Buenos Aires reaffirmed Bad Bunny’s international impact and his ability to generate memorable moments. Between surprising collaborations and unexpected reunions, the show combined music and media narrative, demonstrating that, in the digital era, the stage does not end when the lights go out: it continues on social networks.
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