Hassan Emilio Kabande Laija, known artistically as Peso Pluma, has made significant decisions that could redefine the course of his career and residency.
According to recent reports, the singer has closed his offices in Los Angeles, California, and is considering moving to Europe, where he will begin an ambitious tour of the continent in a few months.
Los Angeles office closures
According to Mexican regional music journalist Chamonic, Peso Pluma has decided to close its offices in Los Angeles.
This measure would be related to the recent controversy involving the group Los Alegres del Barranco, who faced the revocation of their visas after projecting images of drug trafficking figures during a concert in Guadalajara.
This incident has generated concern among several artists of the genre, leading them to take precautions to avoid possible legal repercussions in the United States and Mexico.
Plans to move to Europe
In addition to closing its offices, Peso Pluma is reportedly in the process of acquiring a property in Europe.
This decision would coincide with his upcoming European tour, “La Doble P World Club European Tour”, and his participation in the “Morriña Festival 2025” in La Coruña, Spain.
These presentations would serve as a strategic transition to establish themselves on the European continent.
Context of decisions
The genre of corridos tumbados, of which Peso Pluma is a leading exponent, has faced criticism for allegedly promoting crime.
In 2023, Peso Pluma received threats attributed to the Jalisco Cartel – New Generation (CJNG), which led to the cancellation of several presentations in Mexico.
These events have increased the pressure on artists in the genre, prompting them to seek alternatives to continue their careers in a safer and more favorable environment.
The Mexican wants to explore new horizons and make a stronger career in Europe
Less Peso Pluma presence in the United States?
Buzzy
The possible relocation of Peso Pluma to Europe could have several implications for his fans in the United States.
On the one hand, it could reduce the frequency of its presentations in the U.S., affecting the Hispanic community that makes up a significant part of its fan base.
On the other hand, this movement reflects the complexities and challenges faced by artists in music genres associated with controversial subject matter, highlighting the importance of adapting to different cultural and legal contexts.
So far, Peso Pluma has not issued an official statement confirming or denying these reports.
However, the aforementioned actions suggest a strategy aimed at expanding its international presence and navigating the complexities facing the corrido tumbado genre in the Americas.
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