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La Joaqui and Gabito Ballesteros join Argentina and Mexico with “Nada personal”

Fusion of RKT and corrido tumbado

PHOTO: Instagram of La Joaqui

The Latin scene adds a new international collaboration. La Joaqui presented “Nada personal” together with Mexican Gabito Ballesteros, in a release that fuses the corrido tumbado with the Argentine urban aesthetics that characterizes the artist.

The song combines acoustic guitars, brass and soft percussion that builds a melancholic atmosphere. In the song, both performers explore heartbreak from different cultural perspectives, blending rioplatense phrasing with regional Mexican sensibility.

A strategic fusion in Latin music 2026

la Joaqui Nothing personal
PHOTO: YouTube de La Joaqui

Joaquinha Lerena de la Riva, one of the key figures in the popularization of RKT and urban cumbia in Argentina, has consolidated an identity linked to the neighborhood and direct narrative.

With “Nada Personal”, La Joaqui expands its reach into the Mexican market, one of the strongest Latin music markets in the United States.

Gabito Ballesteros, a benchmark of the corrido tumbado and part of the new generation of regional Mexican music, provides the characteristic stamp of the genre that has gained enormous popularity among young Latinos in the U.S.

The result is a collaboration that reflects the current state of the industry:

Borderless cultural crossovers and hybrid sounds that connect audiences in Latin America and the United States.

The Latin music scene adds a new international collaboration

QuéOnnda.com

Expansion of La Joaqui in Mexico

 

View this post on Instagram

 

A post shared by La joaqui (@lajoaqui).

La Joaqui’s link to Mexico is not new.

In 2025 he sold out his solo presentation at the Foro Puebla and participated in the Tecate Pa’l Norte festival, one of the most important musical events in the country.

This sustained growth confirms its position on the Latin map, where the mix of genres is increasingly valued by Hispanic audiences.

For the Hispanic community in the United States, the rise of corrido tumbado and Argentine urban music represents a new stage in Latin musical identity.

Streaming platforms show a steady growth in plays of these genres, especially among bilingual youth.

“Nada personal” by La Joaqui symbolizes this cultural convergence:

Artists from different countries collaborating and sharing audiences in key markets such as California, Texas, Florida and Illinois.

For more information, visit QuéOnnda.com.

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